WOW. What a fascinating deep-dive this was. Thank you! I've learned so much. I didn't realize people could smell the raw meat I've been carrying around in oiled paper.
Rebecca, this is a nice piece. I’m a fan of the levels you're addressing. One thing you haven’t addressed—at least in the cake series—is sequencing: the choice in what detail/phrase/sentence/level goes first. The goal being, of course, how the information is placed in the reader’s brain to create a specific effect. —T
So, would you say that interiority is an important tool for creating a memorable character? Thanks for introducing me to Edward P. Jones. And as always, thanks for the great writing tips.
Any tips for gauging how much interiority is the right amount? And how does the type of interiority/ placement within action change that amount? (I recall you saying something like this: the more action, the tauter the string to hang interiority)
WOW. What a fascinating deep-dive this was. Thank you! I've learned so much. I didn't realize people could smell the raw meat I've been carrying around in oiled paper.
Rebecca, this is a nice piece. I’m a fan of the levels you're addressing. One thing you haven’t addressed—at least in the cake series—is sequencing: the choice in what detail/phrase/sentence/level goes first. The goal being, of course, how the information is placed in the reader’s brain to create a specific effect. —T
So, would you say that interiority is an important tool for creating a memorable character? Thanks for introducing me to Edward P. Jones. And as always, thanks for the great writing tips.
Thank you for this account!
Any tips for gauging how much interiority is the right amount? And how does the type of interiority/ placement within action change that amount? (I recall you saying something like this: the more action, the tauter the string to hang interiority)